Besides its performances, the company offers an exhibition of selected objects, showcased by Claire Farah, a scenographer. A number of works have been created by Antoine Blanquart: handmade embroidery, posters, sequined collages, doctored photographs.
It also includes dioramas, still lifes, models, etc,
Building from the specific world of each performance, the exhibition takes in the shows’ rejects, scatterbrained ideas and parallel reveries.
We move in closer to see Emma Bovary weeping in the shower because she has been well and truly ditched; or a pastoral painting in cross stitch, from which emerges a row of Rabelaisian characters, inspired by Bosch; or a bevy of Carmencitas seeming like an army ready to tear into battle; we get to Andersen just after the little girl’s death from hypothermia; nothing remains but a small pile of burnt matches, the firefighters have carted off the body…rmie, il ne reste qu’un petit tas d’allumettes brûlées, les pompiers ont embarqué le corps…